ron ehrlich / pale rain / 2007 / oil on panel / 48 x 48 inches / stephen haller gallery

Went to Stephen Haller Gallery the other day to see Gregory Johnston’s paintings, but was actually much more taken by Ron Ehrlich’s work hanging in the back of the gallery. His paintings had a physical presence lacking in the alkyd sheen finish of Gregory Johnston’s paintings.

Ron Ehrlich’s paintings combine the very American dynamic of action painting with the Japanese aesthetic of wood-fired Bizen ceramics. His application methods include throwing, pouring, brushing, scumbling and glazing. To achieve his remarkable surfaces, some glistening and others matte, he mixes recipes of oil, wax, lacquer, shellac, porcelain dust, and marble dust; and then turns a blowtorch on some areas to fuse the materials into a lustrous glazed finish. The resulting canvases, with their dense layers of oil paint and other media, are simultaneously energetic and tranquil.

Ehrlich’s palette leans toward water hues and earth tones: ultramarine, turquoise, peacock and sky blue; greens ranging from muted moss to sparkling emerald; sunny yellows, ochre, ivory, terracotta, and chalky white; the deep tones of rich soil. Broad horizontal bands of color in the under layers of his paintings are also suggestive of landscapes. The general impression, though, is of heavily textured, densely layered action painting. Often he creates an all-over grid-like texture with many thin vertical drips of color running down the canvas over thickly painted horizontal blocks in the under layers.

Ron Ehrlich / Emerald Glimpse / 2006 / Oil, mixed media on panel / 59 x 59 inches
© Courtesy of the artist and Gallery Camino Real. www.gallerycaminoreal.net

Excerpt from Gallery Camino Real

American painter Ron Ehrlich achieves rich surfaces and subtleties of tone by melding the three dimensional techniques of vessel-making with the spontaneity and vitality of painting. Working on panel, wielding a blowtorch as well as a brush, the brilliant colorist creates an art both vigorous and contemplative.

Ehrlich attacks his work with an energy that is exciting to behold. Watching him paint is an electrifying experience – marking, gashing, splashing, burning, tossing, scraping, and brushing. Ehrlich moves around his studio with an astonishing vitality: enlisting paint, raw pigment, wax, and marble dust to add to the pastiche of his surface materials. He reaches to add an elegant curving line of crayon, hurls an industrial size brush-load of paint in a sudden graceful arcing toss, then meticulously blowtorches a melting stream of paint, flames trailing his gesture.

With a rare level of skill and this complex methodology he tackles his paintings with a contrasting muscularity and intellectual vigor.

The art of Ron Ehrlich is suffused with the vitality and power of nature, which seems to be his underlying narrative. [Read more...]