Lin Tianmiao / Mothers!!! / Long March Space in Beijing, China

I know yesterday I said I was on vacation and taking a break etc…But today there is a good article in the NYTimes written by Holland Cotter about Chinese women artists

Contemporary art in China is a man’s world. While the art market, all but nonexistent in 1989, has become a powerhouse industry and produced a pantheon of multimillionaire artist-celebrities, there are no women in that pantheon.

The new museums created to display contemporary art rarely give women solo shows. Among the hundreds of commercial galleries competing for attention in Beijing, Shanghai and elsewhere, art by women is hard to find.

Yet the art is there, and it is some of the most innovative work around, even as visibility remains a problem. On a monthlong stay, I visited several women who live and work in and around Beijing and have important careers, although none of them top the auction charts, and few are represented by prestigious galleries. An alternative list of women doing strong but little-noticed work would be long. [Read more...]

Music of Silence IV / 24” x 24” / 2007 / silverpoint / acrylic on wood / © Susan Schwalb. All Rights Reserved. www.susanschwalb.com

I have always been attracted to the mystery and luminosity in silverpoint drawings. I have experiemented with silverpoint and find the technique fascinating – from the delicacy of touch to the tarnishing. Schwalb’s work is the first I have seen where it used in abstraction and in combination with color. I find Schwalb’s work and Agnes Martin’s to be some of the best examples of minimalism.

Excerpt from Elizabeth A. Sackler Center for Feminist Art
Feminist Art Base: Susan Schwalb

Susan Schwalb is one of the foremost figures in the revival of the ancient technique of silverpoint drawing in America. Most of the contemporary artists who draw with a metal stylus continue the tradition of Leonardo and Durer by using the soft, delicate line for figurative imagery. By contrast, Schwalb’s work is resolutely abstract, and her handling of the technique is extremely innovative. Paper is torn and burned to provide an emotionally free and dramatic contrast to the precise linearity of silverpoint. In other works, silverpoint is combined with flat expanses of acrylic paint or gold leaf. Sometimes, subtle shifts of tone and color emerge from the juxtaposition of a wide variety of metals. In recent works, Schwalb abandons the stylus altogether in favor of wide metal bands that achieve a shimmering atmosphere reminiscent of the luminous transparency of watercolor. [Read more...]

www.susanschwalb.com