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We can’t really talk about colour without talking about and looking at Hans Hofmann. Here is a piece called Towering Spaciousness from the Brooklyn Museum. In this piece Hofmann uses both colour intervals and overlapping planes to create a sense of expansion and contraction in the painting. Each colour relates to every other colour in the painting, thereby determining its relative location in space within the painting. The result is that none of the planes sit in exactly same place in space. The rhythm and movement of your eye as it jumps from plane of colour to plane of colour, or we could say the expansion and contraction of the planes of colour, work to create the sense of an open towering spaciousness within the canvas. Hofmann called this idea, his “push-and-pull” theory, which he wrote about in the book Search for the Real. So, it is the movement of colour/the movement of the eye that creates the illusion of space in this painting, not scientific perspective, which is what Hofmann spent years teaching his students. For me, what’s really interesting, is that when I stand if front of a painting like this, not only do I see the towering spaciousness of the canvas but I can feel it in my body, it’s a viceral physical feeling, something I don’t feel in front of the best realist paintings with precise perspective.

Hans Hofmann (American, 1880–1966) / Towering Spaciousness / 1966. Oil on canvas / 84 1/4 x 50 in. (214 x 127 cm) / Brooklyn Museum, Gift of William Sachs, 68.51

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John DiPaolo / Silhouette Inca #5 / Oil and Enamel on Canvas / 63 x 70 in. / 2008 / © John DiPaolo. All Rights Reserved. Courtesy the artist and Dolby Chadwick Gallery

“It’s not about picture making,” he [DiPaolo] explained, “you can do that better with a camera. Painting is about soul and that’s what people see in it more than anything.”

For the past thirty years John DiPaolo has painted lush non-representational canvases in his San Francisco studio, driven by a passion ignited when he was a young child. An accomplished draftsman capable of rendering with verisimilitude, he worked in a hard-edged pop style until graduate school before abandoning references to the outside world in favor of a deeper engagement with the act of painting. Since then DiPaolo has created a body of work drawn from his inner resources. Dipping beneath surface appearances, he taps into a creative force strong enough to compel him to return to his studio day after day, filled with anticipation for the aesthetic adventures that lie ahead. [Read more...]

www.dolbychadwickgallery.com

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